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This is only the second Audie Murphy movie set in WWII after his autobiographical "To Hell and Back." Here Murphy steps out of his usual kid-Western role to play a civilian working for the Navy helping supply guerilla insurgents in the Philippines. His sole motive is not politics nor bravery, but to find his bride from whom he was separated during the Japanese invasion two years before

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The story starts in the devastated rogue city of Yokohama, surrounded by rubble. After Milly killed Jack, the main villain from the first movie, and finally satisfied her thirst for revenge for the deaths of her husband and child, she seems to be on safe ground for the moment. But just as she starts to relax, she is targeted by strange guys. They are here to avenge Jack's death.

Tae-young is a former fighter who now runs a relatively legitimate disco club business. He has a best friend named Joon-suk who runs a bakery with In-hye and is always ready to help Tae-young. When Tae-young refuses to let drug lord Ma Gun-soo use his disco club as a place of business, Gun-soo injects him with drugs and sets him up to the police. Tae-young serves time for a crime he did not commit. After his release, Tae-young attacks Gun-soo's son Tae-ho. Gun-soo retaliates by attacking Joon-suk and In-hye. He tortures and kills Joon-suk. Having lost everything to Gun-soo and his men, Tae-young plans one final battle. He alerts the police to come at a specified moment and prepares for a fight to the finish.

In an isolated cabin, a gorgeous sexy trader enslaves beautiful young women with the plan to sell them abroad. In order to break their wills, she manipulates them with domination.

Demons At Dawn follows a retired hitman who is blackmailed into taking one last job. During his mission, he uncovers an elite Satanic cult that use human sacrifice to summon Demons.

Set in Kawasaki in 1925, Challenge at Dawn is based on the Tsurumi Riot Incident, which actually ocurred in Yokohama that year and was sparked by corruption and yakuza involvement in the construction industry.

1956. Bébé is a painter, but he has not worked for years. The news arriving form Paris about the death of his childhood friend, Halász Petár affects him deeply, but his reflections are continually disturbed by telephone calls: the Alliance for Fine Arts wants to purchase one of the popular self-portraits of Halász.

When his little sister is kidnapped in an ice cream truck, Marine Corpsman Arthur Orange must serve up three scoops of pain to get her back.